HBO’s “Game of Thrones” is an international tour de force. The Primetime Emmy Award-winning and Golden Globe-nominated series has captured the attention of audiences across the globe with its plot intricacies, highly lauded acting performances, shocking moments and over-the-top violence. The passion and zeal ignited by fans of this show alone proves that TV isn’t dead.
The much-anticipated fourth season begins this coming Sunday, April 6, at 9 p.m. EST/8 p.m. Central. A few new marketing efforts are currently underway to promote the television triumph and increase their share of viewers.
|iRiS Game of Thrones|
Users are instructed to aim their second-screen device at an image of the mysterious three-eyed raven that often frequents the Warg Bran Stark’s dreams. Successful completion of this task will allow one to claim allegiance to a noted organization (various Houses, Orders, etc.), take a selfie on the Throne itself and be privy to exclusive GoT videos and content each week.
Over 300 similar images have been scattered throughout the greater Toronto community for individuals to locate and scan with the app for additional hidden revelations.
“Our overall strategy was to market the premiere of Game of Thrones Season 4 to the level of a massive theatrical release,” said Jon Arklay, Senior Vice-President, Bell Media Agency, Brand, Creative and Marketing. “Our challenge was to develop a campaign that measured up to the epic scale of the show and our viewers’ heightened expectations. We wanted to discover new ways to connect fans to the show.”
League of Legends will have select “Game of Thrones” advertisements, footage and logos placed throughout the game to maximize fan excitement to such levels that they may very well be chanting “The Rains of Castamere” after bearing witness to it all.
Dustin Beck, vice president of eSports and merchandising at Riot Games, has indicated that some sort of “mash-up trailer” could be made available in the near future.
“The advantage with us versus traditional TV or even traditional sports is we have a very limited, focused advertising or sponsorship and partnership strategy. We’re not working with a ton of different brands. There’s not going to be the kind of sponsor overload you get when you look at NASCAR for example,” he said in an interview with [a]list daily.
Recently acquired by Facebook, virtual reality system Oculus Rift is contributing to the alteration of the television landscape.
|Maisie Williams at SXSW|
At the 2014 South by Southwest (SXSW) music festival in Austin, Texas, HBO united with Academy Award-winning visual effects company Framestore and marketing agency Relevent to unveil yet another way that Winter is Coming through the utilization of the VR device.
The teams developed an immersive experience called “Ascend the Wall”; while wearing the Rift headset, an explorer is transported to the military headquarters of the Night’s Watch, Castle Black, where they’re placed inside of a creaky elevator that raises them to the zenith of a 700-ft tall ice barrier. Once at the top, one can peer out into the desolate, unknown realm to the north, just like Jon Snow.
“What we’re trying to do with all of this is trick your brain,” said Ian Cleary, VP of Innovation and Ideation at Relevent. “You’ve got visual signals going to your brain, a 3D soundscape, and then the tactile elements like wind and shaking. Your brain is getting three or four major inputs that are telling you that you’re not in a concert hall in Austin, Texas.”
Actress Maisie Williams, known for portraying the spirited, sword-wielding Arya Stark in “Game of Thrones,” visibly and audibly expressed terror due to the environment’s realism.
|Catch the Throne|
"Our multicultural audiences are a very important part of our subscribers, and we don't want to take them for granted," said Lucinda Martinez, HBO's senior vice president for multicultural marketing.
The lyrical fire in songs like “King Slayer,” “Iron Throne” and “Born to Rule” is certainly designed to burn away any terror of starting a new TV show.
As the mixtape is free to stream, no debts will have to be paid to listen.
While the album wasn’t very well-received by critics, ConsequenceofSound.net recognized it as a “20-minute commercial … [that] has a decent soundtrack.”
Author: Brian Cameron
Author: Brian Cameron